Uncategorized Patrick Mead on 26 Jan 2012
#1 of a new series. Robin, the hooded man
[Before I begin this new series, a bit of news for those who like to keep up with me. I am flying to Texas tomorrow for the 3rd time this month. So far in 2012 I’ve spoken at Pleasant Valley in Little Rock (my stop in TX was just 3hrs in DFW), at Winterfest in Arlington, and this weekend I am doing a men’s retreat for the Bridgeway Church, a plant of The Hills. And next week, I fly to Texas again, this time to Houston where I’ll rent a car and head 3hrs east to Jennings, Louisiana. I’ll do a youth rally and a seminar there, an informal seminar for healthcare providers, and a couple of meetings with other small churches there. Two weeks later… I’m off to do Winterfest at Gatlinburg. Shortly after that, I head to Ohio State to teach a day. Life is busy, but good. If you want to help me, pray that I will have the energy, health, and safety to continue to do what I do for the Kingdom]
A new series! I grew up with the legend of Robin Hood. I was no older than six when I saw Errol Flynn in his finest performance as the lead in “The Adventures of Robin Hood.” By the time I was 12, I’d read Walter Scott’s “Ivanhoe” where Robin Hood makes an important appearance. The BBC had a few TV programs in the 1950s about Robin Hood and reran them frequently in the 60s and 70s. The most popular by far was Richard Greene in “The Adventures of Robin Hood.” I heard about – but never saw – the spoof on the legend starring Frank Sinatra called “Robin and the 7 Hoods.” There was even a naughty version (in a schoolboy way) of the legend filmed by the crew that did a ton of the “Carry On” and “Up The…” movies in Britain. You are forgiven for not hearing about those films for they did not age well and almost never traveled outside the UK.
Disney did a few takes on the legend. It’s most successful one was the animated feature “Robin Hood” in 1973. At the same time, the BBC did yet another mini-series on the same subject which was later aired on PBS in America. Two years later, Mel Brooks wrote a TV series spoof on Robin Hood called “When Things Were Rotten.” It didn’t last long. A new version – a big time rewriting of the story – was filmed with Sean Connery and Audrey Hepburn called “Robin and Marian” in 1976. Another attempt at a TV spoof version was broadcast in 1984 with George Segal in the title role. In fact, I could list about a dozen versions made in Russia, Sweden, France, and other European countries as well as a few attempts at telling the story in Asian films. For every three or four serious attempts, there was at least one more spoof tried. Mel Brooks tried again semi-successfully with a movie called “Robin Hood – Men in Tights” but his work was already dated and fading because Hollywood had finally filmed a version that hit pay dirt – Kevin Costner in “Robin Hood, Prince of Thieves.” While critics hated the movie (they actually just hated Costner and still do, regardless of how well he handles a role), and excoriated him for not even attempting an English accent, movie goers ate it up. It still holds up well. By the way, critics, had he spoken in the English of his time (pre-1200) you would not have been able to understand six words in the whole movie so… let it go.
Russell Crowe took a run at telling the “how he became Robin Hood” story in a 2010 movie that, again, didn’t capture the critics’ hearts but was a decent tale told well.
My wife and I enjoyed the BBC version of the tale told in the early 1980s – “Robin, the Hooded Man.” The music was done by the fantastic Irish group Clannad (Enya was part of that family/group) and the legend was retold as a mystical one. Robin would often speak to the gods of the forest whose leader appeared as an antler crowned animal-man cross that could never be clearly seen. It was a lot better than I am making it sound. Recently, the BBC has made another very successful TV series on Robin Hood but this time he has modern English sensibilities so he never actually kills anyone and, in fact, violence is muted and rarely used. I hated it but it seems that women took to it and it lasted several seasons.
But what of the original Robin Hood? Where did he come from? Did he even exist? And why is his story told again and again not only in modern films and TV but also in medieval texts where he appears in several guises from 1200 on? Something in this story resonates with us and with our ancestors… and even in non-western nations. We are going to look at the facts behind the legend as well as why the legend endures. I will be getting my information from 10 books, none of which are in print today but which I have found over the years searching in used books stores in the US, Canada, England, and Scotland. I won’t be getting my facts from Disney, Mel Brooks, or Kevin Costner so the picture that emerges might not look like the legend you know.
Robin Hood and his story changes in every appearance, not only in modern films but also in every medieval manuscript that mentions him. He is never the same person twice, though some characteriological scaffolding remains constant and some of his companions appear more often than not. Each generation took him and used him to make a point about the political structure of their time, a cultural or societal crisis, or about the injustices experienced by the common man. In Russian films, he is a Marxist. In English films, he was generally a libertarian though, later, they would make him New Age or comical according to the whims of the time. Western dime novel writers would take some of Robin’s story and graft it on to that of Jesse James. And some people to this day have confused those stories and still say that Jesse was a friend to the poor… because the famous folk song says so!
In the earliest appearances of Robin in the historical record, he was a yeoman – a peasant, in other words. He wouldn’t become noble until later. Still later, he was a social rebel, not a thief. In almost every appearance, he is an outlaw, a defeated knight, a dispossessed, powerless person who has to take refuge with a band of others in the same situation. But, instead of accepting his lot, he takes his battle for justice to the oppressors and their households. He was, as one scholar says, the prototype for Superman and other comic book heroes of our present age. He was strong, incorruptible, and talented at war. Yet, he led with a light hand and with humor and did not return evil for evil… except in measured ways.
As for that whole “robbing the rich and giving to the poor” thing? That wasn’t a part of the story in the beginning nor did it show up for a long time. He became an outlaw not because he stole but because it was easy for a person to cross the line from lawful to outlaw and not even know it. The laws were so arbitrary and the power of government or Royal officials was so absolute and capricious you could become an outlaw and forfeit your life for an action that you and your family had always viewed as lawful – such as hunting, feeding your family before paying your taxes, etc.
And the legend is darker than we might assume. In the oldest versions of the story he not only kills the sheriff and Guy of Gisborne, he beheads them and carries Guy’s head around with him and Much the Miller’s son beheads another monk just to keep him quiet.
In every version I’ve been able to find in the old literature, Robin and his men are rebels but not rebels against the king. The king is not their problem. The problem is local law enforcement and the government toadies and bureaucrats that stand between the common people and the beneficent king who rules in God’s stead and by His grace over the green and pleasant land – England.
Next time… the beginning of the legend. Hope you enjoy this one.


















